Touring was resumed, which eventually caused the club to withdraw from the Union Operas, because the two groups' separate touring schedules made it impossible for members to participate in both. The club also began to formally participate in the annual Michigan Union Operas, an all male comedy review.Īll of these changes led to a revival in the club's fortunes. An all classical format was first adopted, and when this proved unsuccessful it was changed to the balanced program of classical, humorous and college songs still used today. ![]() In 1922 the name "Men's Glee Club" was formally adopted and the club experimented with new music. In 1921, as part of an effort to revive itself, the club became part of the Michigan Union. A lack of sound musical programs led to declining audiences, and in 1920 a disastrous West Coast tour lost so much money that the club was unable to tour for five years. Because of the demands of touring the size of the club was expanded, first to sixteen members, four men per part, and by the turn of the century to around fifty members.Īfter World War I the club experienced difficult times. In the 1880s the club began to tour and in 1884 the organization made its first excursion outside of the state. In the 1870s the larger group began to divide into smaller performing units, trios and quartets, which allowed for greater individual recognition. In its early days the club included from seven to twelve singers who performed college songs, humorous vaudeville numbers and skits. ![]() Michigan's group was the second such college organization formed in the nation. Item, folder title, box no., Men's Glee Club (University of Michigan), Bentley Historical Library, University of MichiganĪs early as 1846 University of Michigan students met regularly to sing "for pure enjoyment." In 1859 the university formally acknowledged this activity through the establishment of a Glee Club. Original sound recordings are only available for staff use. Links to item images and additional information are available within this finding aid. The resulting audio files are available for playback only in the Bentley Library Reading Room. Alternate Format:ĭigitization: The Library has undertaken the digitization of a number of sound recordings within this collection. Access to digital material may be provided either as a direct link to an individual file or as a downloadable package of files bundled in a zip file. For more information on procedures for the ingest and processing of digital materials, please see Bentley Historical Library Digital Processing Note. In preparing digital material for long-term preservation and access, the Bentley Historical Library adheres to professional best practices and standards to ensure that content will retain its authenticity and integrity. Patrons are responsible for determining the appropriate use or reuse of materials. ![]() For moreĬopyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Tapes), the Bentley Historical Library has a policy of converting them to digitalįormats by a professional vendor whenever a researcher requests access. To protect fragile audiovisual recordings (such as audio cassettes, film reels, and VHS ![]() Audio files are only available in the Bentley Historical Library reading room on designated Bentley Library computers. The collection contains audio tapes from which digital copies have been made. Additional recordings and material from the 2012 trip to China were received in 2012. 1985 (donor # 3624), and records received from Philip Duey in Dec. Included in the collection are records received in Dec. Records have been received in periodic accessions since 1960.
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